#SHUTTERFLY EXPORTER CHROME HOW TO#
#SHUTTERFLY EXPORTER CHROME FULL#

Photoshop opens the photo using the colour space indicated in Lightroom’s preferences. To open a photo in Photoshop, right-click on the photo and select Edit In > Edit In Adobe Photoshop. If you select the ProPhoto RGB colour space set Bit Depth to 16 bits/component. Go to the File Settings section of the Export window and set the required colour space. You can do this from any module (use the Film Strip to select multiple photos if you are not in the Library module’s Grid View). To export a photo in Lightroom, select the photo (or photos) you want to export, then go to File > Export.

#SHUTTERFLY EXPORTER CHROME HOW TO#

You can learn more about the calibration process in my article How to Calibrate Your Monitor With the Spyder 4 Express. But your monitor will only display colour accurately if it has been properly calibrated. Note: All monitors have a colour profile, regardless of whether they have been calibrated.

Instead, your computer’s operating system uses the monitor profile to convert the colours to ones that your monitor is capable of displaying. While Lightroom does its work within its version of the ProPhoto RGB colour space, your monitor isn’t capable of displaying all those colours. That’s why selecting colour space is best left for as close to the end of the post-processing workflow as possible. When you export a photo, if you select either the Adobe RGB (1998) or sRGB colour space, Lightroom compresses the photo’s colours to match the chosen profile. The reason that Lightroom uses a version of the ProPhoto RGB colour space, is that it is doesn’t compress the colours captured by your camera’s sensor. If you choose an alternate colour space when you export the file, Lightroom converts it. If there is no colour profile attached, it assumes that it’s an sRGB file. Note: If you import a JPEG or TIFF file into Lightroom, it uses the file’s embedded colour profile.

#SHUTTERFLY EXPORTER CHROME FULL#

There is little point in using the ProPhoto RGB colour space with 8 bit files, as they don’t contain enough bit depth to utilize the full colour range. The file should be exported as a 16-bit TIFF or PSD file. ProPhoto RGB: Use when exporting a photo file to be edited in another program such as Photoshop or a plug-in. You would also use this colour space if you have an inkjet printer that utilizes the Adobe RGB (1998) colour space, or you are using a lab that accepts and prints photos with that profile. It’s the colour space most likely to be used for commercial purposes. Submitting photos to a stock library? Again, it will probably be Adobe RGB (1998). If you’ve been asked to submit photos to a magazine, for example, then ask them which colour space is required. Note: Lightroom’s Web module automatically sets the colour space of exported files to sRGB.Īdobe RGB (1998): Use only if requested. SRGB: Use when exporting photos to be displayed online, printed at most commercial labs, or printed with most inkjet printers. It roughly matches the range of colours that a digital camera sensor can capture.Īrmed with this knowledge, here’s a guide to which colour space you should select when exporting your photos: ProPhotoRGB: ProPhoto RGB is the largest of the three.

When you export a photo in Lightroom it gives you the choice of three colour spaces. Note: Gamut is the term used to describe the range of colour values that fit in a colour space. It provides a large colour gamut to work with the wide range of colours that digital sensors are capable of recording. When processing Raw files, Lightroom (and Adobe Camera Raw in Photoshop) uses its own colour space based on ProPhoto RGB.

You don’t have to make any decisions about what colour space to work in until you export your photos.

Colour management is greatly simplified.

If future output devices (monitors, printers etc.) support ProPhotoRGB (they don’t at the moment) then your photos will be ready for them.

You can export multiple versions of the same photo, each with a different colour space, if you have need to do so.

ProPhotoRGB is the largest colour space, so it is the optimum one to work in.

Less colour information is lost during the processing stage.

When processing Raw files, Lightroom uses the ProPhotoRGB colour space the whole time, and there’s nothing you can do to change it. In Photoshop, once out of Adobe Camera Raw, you can go to the Colour Settings menu option and tell Photoshop in which colour space you want it to work. One of the key differences between Lightroom and Photoshop is their approach to colour management. This diagram shows the three colour spaces that Lightroom works with.

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